'In Greek mythology, the Labyrinth (Greek λαβύρινθος labyrinthos) was an elaborate structure designed and built by the legendary artificer Daedalusfor King Minos of Crete at Knossos. Its function was to hold the Minotaur, a mythical creature that was half man and half bull and was eventually killed by the Athenian hero Theseus. Daedalus had made the Labyrinth so cunningly that he himself could barely escape it after he built it.[1] Theseus was aided by Ariadne, who provided him with a skein of thread, literally the "clew", or "clue", so he could find his way out again.
In colloquial English, labyrinth is generally synonymous with maze, but many contemporary scholars observe a distinction between the two: mazerefers to a complex branching (multicursal) puzzle with choices of path and direction; while a single-path (unicursal) labyrinth has only a single, non-branching path, which leads to the center. A labyrinth in this sense has an unambiguous route to the center and back and is not designed to be difficult to navigate.[2]'
Garden of Forking Paths (again)....
Beyond its facade as a spy narrative, "The Garden of Forking Paths" has similarities to today's digital media and hypertext projects, including perhaps Wikipedia. Borges conceives of "a labyrinth that folds back upon itself in infinite regression", asking the reader to "become aware of all the possible choices we might make."[4] The elaborate hypertext is much like the book which Borges suggests to be the labyrinth, ("Every one imagined two works; to no one did it occur that the book and the maze were one and the same thing...the confusion of the novel suggested to me that it was the maze"[1]) in a sense of how the site offers different approaches to how you may interpret the information provided, yet you're not trapped in the dilemma of choosing one and eliminating others; you may choose to unfold all possibilities. You "create, in this way, diverse futures, diverse times which themselves also proliferate and fork" (Wardrip-Fruin, 33). Although the story appeared before the advent of modern computers, Borges seems to have invented the hypertext narrative structure. Wardrip-Fruin and Montfort write: "Our use of computers is ... based on the visions of those who like Borges—pronouncing [The Garden of Forking Paths] from the growing dark of his blindness—saw those courses that future artists, scientists and hackers might take."[1]
My quick thoughts
create a labyrinth of visual imagery, completely lost in
Brian Eno, 10000000000000000 images
constantly trapped in visual labyrinth
images are connected but unsure how
readers possible choices, viewers possible choices
maze in the visual
You "create, in this way, diverse futures, diverse times which themselves also proliferate and fork"
No comments:
Post a Comment