Philippe Parreno (Serpentine Exhibition 2011)
denaturalising cinema, theatrical, visual, art forms or experience
interrogating politics of presentation
tautological loop, between reality, fiction, staging, visual images, physically present viewer
reality & cinematic distance collapse
technique: didatic pedagogical
we are being TAUGHT something about our implication in the hidden ideology of the gallery
distance between fiction, social, realism
reflexivity - pleasure
expression of the system
manipulates contemporary signs in all of their hallucinatory reality
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